Jim Brickman’s career has spanned over 20 years, and he is the best-selling solo pianist to date. Jim Brickman’s distinctive piano style and captivating live performances have revolutionized the popularity of instrumental music, making him a driving force behind modern American music. The hit-making songwriter is the best-selling solo pianist of our time earning 21 Number One albums and 32 Top 20 Radio Singles in the industry bible, Billboard Magazine. He’s garnered two Grammy nominations, gospel music’s Dove Award, two SESAC Songwriter of the Year Awards, and the Canadian Country Music Award. He also has a music scholarship named for him by his alma mater, the prestigious Cleveland Institute of Music.
Coming on stage for Act Two, is Melissa Manchester. Her career is remarkable not only for its longevity and accomplishments, but for its versatility. Manchester’s tremendously successful solo career brought her critical and commercial acclaim. The Midnight Blue singer received her first Grammy nomination for Best Pop Female Vocal Performance in 1979 for the Peter Allen/ Carole Bayer Sager-penned Don’t Cry Out Loud, winning the Grammy in that category four years later for You Should Hear How She Talks About You. Manchester has also had her songs recorded by Barbra Streisand, Roberta Flack, Dusty Springfield, Alison Krauss, Kenny Loggins and many others. Two songs she performed, Through The Eyes Of Love and The Promise, were nominated for Oscars in the same year. She has written tunes for several other films including The Great Mouse Detective, Lady and the Tramp II, Dirty Girl, and Tyler Perry’s For Colored Girls.
Immediate access parking is FREE at the Niswonger. Lots are located to the North and South of the venue. Handicap parking is available to the East of the facility immediately outside of the main entrance.
All areas of the Niswonger and certain seating areas are accessible by wheelchair. Please notify the Box Office (419-238-NPAC) at the time of ticket purchase so that a platform for companion seating is reserved. Please ask the ushers for assistance to be seated. All entrances from the parking lots have ramps and are at sidewalk level. A wheelchair-accessible elevator serves both levels of the Niswonger providing both the lower and upper lobby and auditorium. All restroom facilities offer handicap accessibility and a larger family restroom is available on the upper lobby level. There are a limited number of handicap accessible parking spaces available in the front of the facility and in both the North and South campus parking lots. These are available on a first-come, first-serve basis. The Niswonger also has assisted listening devices provided by the Van Wert Service Club. Please contact the Box Office for details: 419-238-NPAC.
Alert the Facilities Manager of any special considerations. The Niswonger Staff is ready to assist with entry to and from the show. Please contact the Box Office in advance at 419-238-6722 or [email protected].
Advanced event ticketing, a 10% discount and a driver comp ticket are available for groups of 10 or more. Arrangements must be made through Jerry Beard, Box Office Manager, 419-238-6722 or [email protected].
Electronic Devices & Camera Policy
Please or silence all electronic devices when the house lights go down for the performance. We welcome you to access social media to share your experience during intermission or after the performance. The use of cameras, audio recording devices and video recording devices is prohibited at performances at the INB PAC. The use of professional lenses and flash photography is strictly prohibited. Flash photography may distract the performer and cause injury.
There are no age restrictions for this family show. Children three and under are granted admission without a ticket so long as they are held by an adult ticket-holder. The VWAPAF reserves the right to preclude the attendance of children under the age of 5 years determined by the nature of the performance. Guardians will be asked to remove their child/children if they cause disruptions for other ticket-holders during a performance.